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Soundtracks from other Countries >> Japanese Soundtracks

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Japanese soundtrack LPs

Second only to the pages devoted to the C.A.M.-label-releases, the pages devoted to Japanese soundtrack LPs are most in quantity! Why so? In fact the answer is not only that a lot of Italian (and other European) soundtracks did receive an accompaning or even Japanese-only LP-release, but also that I am a huge fan of Japanese monster-movies (Godzilla and "friends"; smile) and their composers, especially Akira IFUKUBE and Masaru SATO (sometimes: Masaruh SATOH). That is why I could not resist the temptation to also include these many waxings into the pages of this site (please accept my apologies, that I have not yet had time to put them into an own sub-section).

Also, as far as non-Italian soundtrack-releases are concerned, I decided to abandon the label-based presentation due to the fact that (with the possible exception of the Japanese Tam/7seas-label) no other country than Italy had any comparable number of soundtrack-only labels with such a prospering output.

Therefore the following pages do simply show what is part of my collection (= appealed to my musical tastes) and what I consider worth presenting (as far as the cover artwork is concerned; smile) to interested fellow-collectors.

Still, a "few" more things could and should be said: Japanese pressing quality is nearly unmatched (only some early RCA SP-pressings are equivalent), Japanese artwork is in most (but not all) cases preferable and the items´ print-runs are actually unknown (but is is safe to say that they certainly were small in number: further info below).

The composers, scores and/or movies chosen for a Japanese soundtrack-release are eclectic and in fact there is no distinctive pattern as to why some have been issued in Japan and others not, except the speculation on their assumed sales-potential. Obvious is only the prevailance of Italo-western soundtrack-releases in the 45 rpm-format (usually two tracks, but sometimes also EPs were manufactured; nevertheless, the main "EP-country" was France!), but as far as LPs are concerned, only very few Italo-western scores received a Japanese release ("Vivi o preferabilimente morti" by Gianni Ferrio (a Butch and Sundance-clone), "Sabata" my Marcello Giombini, "Shanghai Joe" by Bruno Nicolai, "Valdez Horses" by Guido e Maurizio DeAngelis, a US/Italian co-production starring the always reliable Charles Bronson, and the usual Ennio Morricone-scores for the Eastword/Leone-collaborations plus "A professional gun" aka "Il mercinario").

Regarding leading actors, at least "Love-and-bullets" Charlie, who was real BIG in Japan and still is in my VHS-collection (smile), because his stone-faced "acting" as Mr. Bishop in "The mechanic" is one of my top-favourites and still unmatched (although Mr. Schwarzenegger, Mr. Stallone, Mr. Willis and their low-key clones Mr. Norris and Mr. "funny-hairdo" Segal tried real hard, indeed), was considered a sure seller, so his movies had quite a couple of Japanese soundtrack-releases: "The stone killer" by Roy Budd (twice on FML/7seas-label), "Valdez Horses" (more info see above), "Red Sun" by Maurice Jarre (a fold-out!!), "The Valaci papers" by Riz Ortolani (another fold-out!) plus a great compilation featuring a scene from "Chatos land", ... Virile, but homely in a stable marriage with actrice and often co-star Jill Ireland, who died of cancer and diminished Bronsons life-appetite so sadly, Mr. Bronson was what Japanese men obviously needed in the early 70ies of Japanese "Wirtschaftswunder". Regrettably, these times are long gone as well as "our Charlie" has long vanished from the movie-scene with two or three really pityful TV-"movies" at the end of his so prosperous career (weep).

OK, back to the main subject (smile): Although no print runs are known regarding Japanese soundtrack-releases, a few words can be said nevertheless: Japan did (and does!) have an "intersting way" to handle copyrights: they are bought for certain amounts of time, usually - at least in the soundtrack market - for two years! This is in fact the reason for the two "strange" dates usually printed on the - another Japanese speciality - so-called OBI-strip (or nowadays on the CD OBI-strip aka paper on the CDs back spine plus on the CD back-cover-artwork). The first date is the official release date, in other words: the day from which on the CD was legally allowed to be sold, the second date is the expiry date of this allowance/legal right. In between that period LPs (and nowadays CDs) were allowed to be sold in accordance with the copyrights acquired by the issuing label. And after that date all unsold copies had to be returned to the label (by the record stores) and to be destroyed, which is in fact exactly what happened in most of the cases, since all not returned copies were considered sold and the non-returning record store was unable to get a refund for his unsold copies or (if he had not yet) had to pay the wholesale price for them, if the remaining copies were not returned in a certain time-span after the expiry of the copyright period.

So what is the precise difference between Japan and in fact the rest of the world? In Japan NO cut-out items do exist precisely due to the system discribed above! When an LP could not be sold at regular retail price in the USA, it was, after the item was deleted from the catalogue (= it was not going to be repressed anymore and the available stock was depleted), "cut-out" (regarding books: their covers were brutally "torn/ripped off"!!), which means the cover did receive a "punch hole" (ph) or a "clipped corner" (cc) or some other kind of damage (sometimes only a stamp was used) and the item was subsequently sold at reduced "junk" price ("cut out-price": usually 0,99 $ or 1,99 $ or seldomly 2,99 $). Today this brutal method of devaluing an item is still used for CDs: their back spines are cut! But ... they are not sold at such afforable "junk prices" anymore ... CDs then still cost some 6,99 $ or 7,99 $ (at least these are the prices I saw at "Footlight records", NY, and decided to pay the "full price", since the difference did not strike me as high enough to take a damaged item!). This "method" was obviously also "exported" (weary grin) to Canada, unfortunately.

Such "barbarian practics" were however NOT used in Japan (and none other countries aside the USA and Canada, as far as I know ...)! Whereas nothing gets thrown away in the USA and in Canada, moreless precisely that happened in Japan: after expiry of the copyright-period unsold copies were simply returned to the issuing label and destroying was not partly done but completed (actually the vinyl was melted down and is said to have been re-used for other purposes)! So, whereas it is possible to say that if some 1000 copies of an item were made in the USA, most of them still exist somewhere in various condition (either sold at normal or reduced resale price or still sitting on some shelves in some warehouse(s)), this can not be said regarding Japanese issues, since the number of copies that would have been sold at reduced "cut-out prices" in the USA went into the melting pot (vinyls) and into the shredder (covers) in Japan! And it is actually impossible to make any guesses whatsoever on how high or how low this figure was (which, of course, was different for each and every recording)! Furthermore, additional factors shade the scene: the ODEON-label, mainly known for its Japanese Beatles releases (and its sometimes use of red vinyl!), is said to even have "called back" (rumour!) some releases, including the famous Roy Budd-score "Get Carter", starring Michael Caine in one of his best performances (advertisement slogan on British buses, when the movie was shown in GB: "Caine is Carter and Carter is Caine"!), to melt them down due to a vinyl shortage and in order to repress some Beatles LPs ... Most likely only a rumour, but at least a scaring one and considering the amounts, Japanese "Get Carter"-copies went before its vinyl and CD-re-issue by the British Castle-label, a possible explanation for its incredible scarcity ...

As a conscluison, low print runs of most likely just a few hundred copies, like in Italy, were further diminished by the above discribed consequences of Japanese copyright-handling, which lead to LP-values even outshadowing the ones of Italian soundtrack LPs ... (by the way, cut-outs were uncommon in Italy, too, but what actually happened to the unsold overstock is unknown ... there were no established routines regarding the handling of such items, so the labels themselves did what they considered necessary to do ... I do not really want to follow that road any further ... However, this is of little and more theoretical than practical importance, since most Italian 60ies soundtrack-vinyls were mainly manufactured for promotional use and the few copies sold through record stores hopefully found their buyers ... Considering the main reason for these releases having been promotional purposes, these were served first and what was still left over after all "people inside the relevant movie and music industry" had received their copies, was most logically given to the few specialised record stores like "Bon Giovanni").

In addition to that it has to be taken into account, that the high price level for Japanese soundtrack LPs simply reflects the general price level and price structure in Japan. Where living expenses, rent and income (at least in major cities like Tokyo and Osaka) are as high as they are, also other things (like e.g. vinyl) are generall higher priced than in "low(er) cost"-countries. In other words: Japanese LPs did already cost much more in Japan when they where issued, much more thnan US-LPs when issued in the US or Italian LPs when issued in Italy (just compare Japanese CD-prices, which are also higher than CD-prices in other countries), the only exception being RCA Italians LP-prices in the 60ies.

Now on to some of the items themselves: it is in fact amazing how many Italian scores received a Japanese issue (usually with completely different and very often improved cover artwork). Dozens of Italian scores (and also US-scores, eg. Goldsmith-scores such as "STAGECOACH", "THE SAND PEBBLES" and many more ... such as Dave GRUSINs "Winning" with multiple pages inside the fold-out cover!) were (also or only) issued in Japan, such as - in addition to the already mentioned - "The Amazons" (F/O!), "Traitement du choc" (F/O!), "La belissima estate" (an Italian RCA SP-release), "Lo scandalo" (F/O!), "Oceano" (F/O!), "Le regine" (F/O, again!), "Valdez horses", and many more ... As with OST-LPs manufactured in Italy also the Japanese editions were never exported outside Japan (in fact the allowance to do so was in most cases not part of the copyright contract; this is also the reason why SLC and Avantz-CDs have only been available in very limited quantities outside Japan, actually having become "illegal" that way, since they were not allowed to be exported, because the copyright contract only allowed them to be sold within Japan!). This was and is in fact another difference coming from Japanese copyright contracts and the reason behind it was and is in most cases that the copyright holders did not want to spoil their right and ability to release these scores on the European or US-markets either themselves or through other labels. The right to release a score on LP or CD was therefore only bought for the Japanese market (and not for world wide marketing), and the items were not legally allowed to be exported outside Japan! This is also reflected on their cover artwork: the movie-title was usually printed in "readable writing" (smile), wheras all other info on these LPs and CDs was only presented in Japanese writing without any translation, since there was no need for having any non-Japanese buyer understand this info, since non-Japanese buyers were not assumed/allowed to exist (unless they bought the item(s) in Japan!) and since these editions were not supposed to ever show up outside their country of origin!

To have additional space available for photos and often very extensive liner-notes, quite a lot of Japanese releases are highly collectible fold-out editions or sometimes do feature an additional LP-size piece of inlay-paper (inside the cover) containing stills and lots and lots of writing, probably to spare the back cover for additional photos. What more could anybody ask? (well, smile, lamination ...: in fact Japanese LPs were never laminated, but always manufactured by using strong cardboard). Cover artwork on most of these releases does speak for itself: very appealing collages and cool on-the-point artwork (just have a look at the Japanese "Get Carter"-cover and compare it to the English Castle version: well, which one would YOU prefer ...?) wet every soundtrack collectors appetite!

Having now said a lot about Japanese issues of Italian scores, exactly the same is true for Japanese issues of French scores. Do I have to say more on items like "La piscine", "Madly" (F/O!), "Un peu de soleil dans l´eau froide" (F/O!), "Boulevard du Rhum", "Les petroleuses", "Viva Maria", ...?

Please enjoy and if you have any questions, that have been left unanswered (and I am sure there are some ...), please do not hesitate to drop me a line e-mail! I answer all questions as fast as possible, plan to collect them and want to put them into a FAQ-section (which is planned for 2003!). The same goes of course, if you have any info or items for sale or trade available!! In this context I especially want to encourage Japanese readers of these lines to also get in touch with me with any piece of ("trivia"-)information (smile) they might have available, as well as with trade or sale-offers of Japanese soundtrack-items, of course! Every piece of info is welcomed to put some light into the many unknown mysteries surrounding Japanese soundtracks on vinyl, so I can publish this info as soon as possible!

AVAILABLE items (visually graded: cover/record; play-graded upon request):

Canyon Y-1012:    Oceano (F/O)                      (Ennio Morricone), M/M   
7seas King FML 13: Tony Arzenta (aka Big guns)       (Gianni Ferrio), M-/M
7seas King FML 97: Zorro!                (Guido e Maurizio DeAngelis), M/M
EMI Odeon EOP-80544: Catlow (1 side) & famous film themes  (Roy Budd), M/M   
EMI Odeon EOP-80144: Lacombe Lucien                (Django Reinhardt), M/M
EMI Odeon OP-80312: The railway children (F/O)       (Johnny Douglas), M/M
RCA-xxxx:         La belissima estate              (Alberto Pomeranz), M/M
Columbia YX-7067-MK: Dersu Uzala                      (Isaac Schwarz), M/M
Seven Seas GP-66: Red Sun (F/O)                       (Maurice Jarre), NM/NM 
ECPM-22:          La prima notte di quiete (F/O)   (Mario Nascimbene), M/M 
Columbia YS-2228-AX: Winning (F/O, multiple pages!)     (Dave Grusin), M-/M-
Columbia YS-2335-AX: Le passager de la pluie            (Francis Lai), M/M
Please note: of all the listed items I have only one spare copy available; wants-lists welcomed (trade preferred!). WANTED: La piscine (UA SR 300), Hour of the gun (orig. Jap. pressing, Goldsmith), Get Carter (orig. Jap. pressing, Roy Budd), Valdez Horses (7seas FML, Guido e Maurizio DeAngelis), Boulevard du Rhum (orig. Jap. pressing, Francois DeRoubaix), Madly (orig. Jap. F/O, Lai), ...

Catlow (1 side) & famous film themes  Odeon EOP-80544  197  Budd 
Il consigliori  7seas FML-31  197  Ortolani 
Andremo in cittá  Fontana SFON-7074  196  Vandor 
The Valachi papers (F/O aka Valachi - Cosa Nostra) - front cover  CineDisc M-5001  1972  Ortolani 
The Valachi papers (F/O aka Valachi - Cosa Nostra) - back cover  CineDisc M-5001  1972  Ortolani 
Daniele e Maria (F/O) - front cover  CineDisc M-5002  1972  Piovani 
Daniele e Maria (FO) - back cover  CineDisc M-5002  1972  Piovani 
Kill! (Jap. F/O) - front cover  CineDisc M-500X  197  Pisano 
Kill! (Jap. F/O) - first page  CineDisc M-500X  197  Pisano 
Kill! (Jap. F/O) - second page  CineDisc M-500X  197  Pisano 
Kill! (Jap. F/O) - back cover  CineDisc M-500X  197  Pisano 
Traitment de choc (F/O) - front cover  CineDisc M-5008  1973  Koering 
Traitment de choc (F/O) - back cover  CineDisc M-5008  1973  Koering 
The amazones (F/O) - front cover  CineDisc M-5010  1973  Ortolani 
The amazones (F/O) - back cover  CineDisc M-5010  1973  Ortolani 
Karate Amazones  TAM YX-8023  1974  Micalizzi 
Across the great divide  Seven Seas King FML  197   
La belissima estate  RCA-xxxx  197  Pomeranz 
Tony Arzenta (aka Big guns)  Seven Seas King FML 13  1973  Ferrio 
Qeimada  UA SR 620  197x  Morricone 
La Babysitter  RCA RVP-6017  197x  Lai 
Beneath the planet of the apes - front cover  Bell xxxx11  197x  Rosenman 
Beneath the planet of the apes - back cover  Bell xxxx11  197x  Rosenman 
Cleopatra  SHP-5254  197x  xxx 
Diamond Mercenaries  Philips FDX-258  197x  Garvarentz 
Emanuelle Nera - front cover  Polydor MP 2538  197x  Fidenco 
Emanuelle Nera - back cover  Polydor MP 2538  197x  Fidenco 
Borsalino & Co  Seven Seas King FML 37  1974  Bolling 
Boulevard du Rhum  UA SR 742  1972  DeRoubaix 
The red tent (Jap. F/O differnt score!) - front cover  Columbia YS-2394-MK  1970  Zatsepin 
The red tent (Jap. F/O differnt score!) - first page  Columbia YS-2394-MK  1970  Zatsepin 
The red tent (Jap. F/O differnt score!) - second page  Columbia YS-2394-MK  1970  Zatsepin 
The red tent (Jap. F/O differnt score!) - third page  Columbia YS-2394-MK  1970  Zatsepin 
The red tent (Jap. F/O differnt score!) - fourth page  Columbia YS-2394-MK  1970  Zatsepin 
The red tent (Jap. F/O differnt score!) - back cover  Columbia YS-2394-MK  1970  Zatsepin 
La course de lievre a travers les champs (F/O)  King FML 8  1973  Lai 
Danza d'amore sotto gli olmi  Epic ECPH-67  1975  Carpi 
Dersu Uzala  Columbia YX-7067-MK  1975  Schwarz 
La piscine  UA SR 300  1969  Legrand 
Zorro!  King FML  197  DeAngelis 
Diabolica  TAM YX-8031  1974  Micalizzi 
The domino principle  FML 84  1978  Goldenberg 
Une femme fidele  FML  197  Delerue 
Goodbye Charlie  20th Fox SJET-7659  196  Prévin 
Good luck Miss Wykoff  Polydor MPF 1266  1979  Gold 
Hambone and Hillie  Polydor 25MM 0517  1986  Garvarentz 
Le heritier/Angela  FML 12  1973  Colombier 
Les petroleuses (The story of Frenchie King) (Jap. F/O) - front cover  Seven Seas GP-75  1972  Lai 
Les petroleuses (The story of Frenchie King) (Jap. F/O) - first page  Seven Seas GP-75  1972  Lai 
Les petroleuses (The story of Frenchie King) (Jap. F/O) - second page  Seven Seas GP-75  1972  Lai 
The little girl who lives down the lane (F/O)  Polydor MPF 1087  1976  Jaubert 
Lady Oscar  Kitty MKF 1045  1979  Legrand 
La lecon particuliere (F/O) - front cover  Disc AZ YS-2227-AZ  1969  Lai 
La lecon particuliere (F/O) - back cover  Disc AZ YS-2227-AZ  1969  Lai 
Francis Lai - Made in France (F/O)  UA GP 75  1972  Lai 
Get Carter  Odeon OP 80424  1971  Budd 
Offside 7 - Escape to Athena  FML 124  1980  Schifrin 
Orca  TAM YX-7036  1977  Morricone 
Le proces  Philips SFL-7129  1961  Ledrut 
Red Sun (F/O) - front cover  Seven Seas GP-66  1971  Jarre 
Red Sun (F/O) - back cover  Seven Seas GB-66  1971  Jarre 
La route de Salina  Globe SJET-8330  197   
Soundtrack best collection - La race des seigneurs  TAM YX-7004  197   
Lo scandalo (F/O)  Polydor MPF 1059  1974  Ortolani 
The big boss  Victor VIP 7303  1981  Koo 
Enter the dragon (2LP-set F/O)  Warner P-4619-20W  1975  Schifrin 
Fist of fury  Victor VIP 7304  1981  Koo 
The way of the dragon  Victor VIP 7305  1981  Koo 
The tower of death  Victor VIP 4198  1984  Koo 
La maison sous les arbres  Globe SJET-8355  1971  Becaud 
Le petit matin (F/O)  Philips SFX-7408  1971  Lai 
Un peu de soleil dans l'eau froide (F/O)  Bell BLPM-5  197  Legrand 
La prima notte di quiete (F/O)  Epic ECPM-22  197  Nascimbene 
Alain Delon double deluxe (2LP-set F/O + 1 additional page)  Seven Seas FMW11-2  1973   
Il giardino dell'Eden  CineDisc C28R0058M  1980  Cipriani 
Madly (F/O)  Columbia YS-2493-AX  1971/11  Lai 
Oceano (F/O)  Canyon Y-1012  1972  Morricone 
La ragazza di Bube  Fontana SFON-70xx  196  Rustichelli 
Le regine (F/O) - front cover  King/7seas SR-634  1971  Lavagnino 
Le regine (F/O) - back cover  King/7seas SR-634  1971  Lavagnino 
Alfredo Alfredo  7seas FML-10  197x  Rustichelli 
Alfredo Alfredo - inside 1  7seas FML-10  197x  Rustichelli 
Alfredo Alfredo - inside 2  7seas FML-10  197x  Rustichelli 
Alfredo Alfredo - back cover  7seas FML-10  197x  Rustichelli 
Two in the amsterdam rain  Polydor MR 7007  197x   
The fruit is ripe  Victor VIP-7271  19  Heinz 
Goodbye Emmanuelle  Philips FDX-344  197x  Gainsbourg 
Jaguar lives  7seas FML-116  197x  Ragland 
Lacombe Lucien  EMI Odeon EOS-80144  197x  Reinhardt 
?????  Tam AX-8004  197x   
Le passager de la pluie  Columbia YS-2335-AX  197x  Lai 
The snow of springtime  7seas FML-42  197x  Micalizzi 
Vivre la nuit  Philips SFL-7377(M)  197x  Bolling 
Sabata  UA SR-455  1970  Giombini 
Let sleeping corpses lie  TAM  197  Micalizzi 
Soldier blue  Odeon OP ...  197  Budd 
Stagecoach  Mainstream xx  1966  Goldsmith 
Valdez Horses  FML-24  1974  DeAngelis 
Violent western themes - sampler  Seven Seas  197   
The best of bloody western themes double deluxe (F/O) - sampler  Seven Seas GW 167/8  1972   
The stone killer - front cover  FML-  197  Budd 
The stone killer - back cover  FML-  197  Budd 
Winning (F/O multiple pages!) - front cover  Columbia YS-2228-AX  1969/09  Grusin 
Winning (F/O multiple pages!) - back cover  Columbia YS-2228-AX  1969/09  Grusin 
Sunset sunrise (F/O)  CineDisc M-3001  197  Rota 
War and peace (2LP-set F/O)  Columbia  197   
Jeux interdits (F/O)  Seven Seas GP-117  1972  Yepes 
Anonimo veneziano  CAM GXH-6024  197  Cipriani 
Bullitt  WB xxxx  197  Schifrin 
Eric  Seven Seas FML-67  197   
Fatti di gente perbene (F/O)  Polydor MP-2510  197  Morricone 
xxxxx    197  Lai 
Gamera sampler    197   
Akira Ifukube 2LP-set (sampler? contents?)  Starchild K20G-7169-70  197  Ifukube 
Julia and other works of Delerue  Seven Seas FML-99  197  Delerue 
Monster Movie sampler (contents?)  Columbia CX-7019  197   
Mr. Klein  Seven Seas FML-77  197  Macchi 
The railway children  EMI Odeon OP-80312  197  Douglas 
xxx  Victor SJV-1282  197  xxx 
Roma dalla finestra  Philips xxx  197x  Mauriat 
Sky high (= Jigsaw)  xxx SUX-1-V  197x  xx 
The day of the dolphin  AVCO SWX-7055  196x  Delerue 
Les horizons gagnes  xxx  197x   
Meiji ichidai onna  Polydor xxx  196x   
Tentacles (F/O)  xxx  197x  Cipriani 
The world of Mikis Theodorakis  20th Century Fox xx  197x  Theodorakis 
OST LP - title unknown (F/O)  xxx  197x   
Blow-up (F/O)  MGM  197x  Hancock 
Chatos Land (Great Action Movie Themes) (F/O)  7seas FML-xx  197x   
The fruit is ripe  xxx  197x  Heinze 
The great hunting part II  FML-xx  197x  DeAngelis 
Bubu  GP-xx  197x  Rustichelli 
Follow me  MCA-xx  197x  Barry 
Cinderella Liberty  FML-2x  197x  Williams 
Feeling love  FML-100  197x  xx 
Mediterranean holiday  xx  196x  Ortolani 
The mad adventures of Rabbi Jacob  xx  197x  Cosma 
Sharks and men  Globe SJET-xx  197x  Patucchi 
Les tricheurs  xx  195x  xx 
The vanishing point  xx  197x   
The vanishing point - back cover  xx  197x   
Japanese science fiction series vol. 1 - sampler  Starchild  197   
Japanese science fiction series vol. 2 - sampler  Starchild  197   
Japanese science fiction series vol. 3 - sampler  Starchild  197   
Japanese science fiction series vol. 4 - sampler  Starchild  197   
Japanese science fiction series vol. 5 - sampler  Starchild  197   
Japanese science fiction series vol. 6 - sampler  Starchild  197   
Japanese science fiction series vol. 7 - sampler  Starchild  197   
Japanese science fiction series vol. 8 - sampler  Starchild  197   
Japanese science fiction series vol. 9 - sampler  Starchild  197   
Japanese science fiction series vol. 10 - sampler  Starchild  197   
Japanese science fiction series vol. 11 - sampler  Starchild  197   
Japanese science fiction series vol. 12 - sampler  Starchild  197   
Japanese science fiction series vol. 13 - sampler  Starchild  197   
Japanese science fiction series vol. 14 - sampler  Starchild  197   
Japanese science fiction series vol. 15 - sampler  Starchild  197   
Catastrope 1999  Tam  197   
Fantasy world of Japanese pictures - part 1 (sampler)  Toho AX-8106  197   
Fantasy world of Japanese pictures - part 2 (sampler)  Toho AX-8107  197   
Fantasy world of Japanese pictures - part 3 (sampler)  Toho AX-8108  197   
Fantasy world of Japanese pictures - part 4 (sampler)  Toho AX-8123  197   
Fantasy world of Japanese pictures - part 5 (sampler)  Toho AX-8124  197   
Fantasy world of Japanese pictures - part 6 (sampler)  Toho AX-8125  197   
Godzilla vol. 1 - sampler  Toho AX-8100  1978   
Godzilla vol. 2 - sampler  Toho AX-8112  1978   
Godzilla vol. 3 - sampler  Toho AX-8147  197   
Masaruh Satoh #1  Starchild/King K22G-7057  1981  Satoh 
Masaruh Satoh #2  Starchild/King K22G-7058  1981  Satoh 
Masaruh Satoh #3  Starchild/King K22G-7059  1981  Satoh 
Masaruh Satoh #4  Starchild/King K22G-7060  1981  Satoh 
Masaruh Satoh #5  Starchild/King K22G-7061  1981  Satoh 
Masaruh Satoh #6  Starchild/King K22G-7062  1981  Satoh 
Masaruh Satoh #7  Starchild/King K22G-7063  1981  Satoh 
Masaruh Satoh #8  Starchild/King K22G-7064  1981  Satoh 
Masaruh Satoh #9  Starchild/King K22G-7065  1981  Satoh 
Masaruh Satoh #10  Starchild/King K22G-7066  1981  Satoh 
Alaska Story  King SKD 428  1976  Satoh 
Akira Ifukube #1  Starchild/King K22G-7043  1981  Ifukube 
Akira Ifukube #2  Starchild/King K22G-7044  1981  Ifukube 
Akira Ifukube #3  Starchild/King K22G-7045  1981  Ifukube 
Akira Ifukube #4  Starchild/King K22G-7046  1981  Ifukube 
Akira Ifukube #5  Starchild/King K22G-7047  1981  Ifukube 
Akira Ifukube #6  Starchild/King K22G-7048  1981  Ifukube 
Akira Ifukube #7  Starchild/King K22G-7049  1981  Ifukube 
Akira Ifukube #8  Starchild/King K22G-7050  1981  Ifukube 
Akira Ifukube #9  Starchild/King K22G-7051  1981  Ifukube 
Akira Ifukube #10  Starchild/King K22G-7052  1981  Ifukube 

© Wolfgang Jahn, 2001-2011 | Last update: Wed, 16 Mar 2011 17:41:34 GMT
Consulting and Programming: ARoMaXT LogoARoMaXT/Markus Hasleder | Design: Edith Vosta | Italian translations: Enrico Tichelio | Medienpartner: Mundipedia | Suchmaschinenoptimierung mit Ranking-Hits